All publication  on TuniCris

Huuhka, Marleena, 2020Reconfiguring Human, Nonhuman, and Posthuman in Literature and Culture. Karkulehto, S., Koistinen, A-K. & Varis, E. (eds.). London & New York: Routledgep. 218-235 (Perspectives on the Non-Human in Literature and Culture).

Paavolainen, Teemu. (2020). Doing Things With Natures : A Performative History in Four Anthropo(s)cenes. Nordic Theatre Studies 32 (1), 6-26.

Roihankorpi, Riku; Delbridge, Matthew. (2020). On Sustainability, the Live Arts, and Learning: The Hybrid Body as A Digital Asset of Theatre Training and Research. Arti dello Spettacolo / Performing Arts VI (Special Issue), 77-84.

Pekkala Laura, Roihankorpi Riku. (2018). An artistic community and a workplace : how Finnish independent theatres interact with money. Nordic Theatre Studies 30 (1), 115-143.

Paavolainen Teemu. (2018). Magnitudes of Performativity : Donald Trump in the Anthropo(s)cene. Nordic Theatre Studies 30 (2), 78–98.

Paavolainen Teemu. (2018). Poor Theatre, Rich Theatre : Layers of Exchange in Two Adaptations of Ingmar Bergman and Paavo Haavikko. Nordic Theatre Studies 30 (1), 144-164.

Paavolainen Teemu. (2018). Theatricality and Performativity : Writings on Texture from Plato’s Cave to Urban Activism. Basingstoke: Palgrave Macmillan.

Huuhka, Marleena 2018 Vagabond Mimesis – Nomadic Wanderings through Minecraftian Performance Space in SYMBOLON,  theatre studies journal of the University of Arts in Tîrgu-Mureș, Romania.

Huuhka, Marleena 2017 Ei-inhimillinen tekijyys ja esiintyjyys videopeleissä in NÄYTTÄMÖ JA TUTKIMUS 6 eds. Arlander, Annette; Gröndahl, Laura; Kinnunen, Helka-Maria & Silde, Marja. Peer reviewed. (Non-human Agency and Performership in Video Games.) 

Paavolainen, Teemu 2017. “Fabric Philosophy: The ‘Texture’ of Theatricality and Performativity.”Performance Philosophy 2 (2): 172–88. ISSN 2057-7176.

Roihankorpi Riku, Delbridge Matthew. (2017). Hamlet’s Norwegian Doll’s House: Reframing Embodied Knowledge with Virtual Architectonics of Performance. Arti dello Spettacolo / Performing Arts 3 (3), 49-58.

Paavolainen, Teemu 2016. “Textures of Thought: Theatricality, Performativity, and the Extended/Enactive Debate.” Teoksessa The Cognitive Humanities: Embodied Mind in Literature and Culture, toim. Peter Garratt, 71–92. Basingstoke: Palgrave Macmillan.

Paavolainen, Teemu 2016. “Textures of Theatricality: Three Approaches from Canonical Theatre Directors.” Tekijä – teos, esitys ja yhteiskunta. Näyttämö & tutkimus 6, toim. Annette Arlander, Laura Gröndahl ja Marja Silde, 60–85. Helsinki: Teatterintutkimuksen Seura.

Huuhka, Marleena 2015 Labyrintti – Näkökulmia peleihin ja esityksiin in ESITYSTUTKIMUS eds. Arlander, Annette; Erkkilä, Helena;Riikonen, Taina & Saarikoski, Helena. Partuuna. With Marjukka Lampo. (Labyrinth – Perspectives on Games and Performances)

Paavolainen, Teemu 2015. “Meaning in the Weaving: Mapping and Texture as Figures of Spatiality and Eventness.”Mapping Theatre: Nordic Theatre Studies 27 (2): 10–21.

Paavolainen, Teemu 2015. “Smart Homes and Living Machines: Views From Performative Architecture.” CARPA4 Proceedings: Colloquium on Artistic Research in Performing Arts, The Non-human and the Inhuman in Performing Arts, toim. Annette Arlander. Helsinki: Taideyliopiston Teatterikorkeakoulu.

Roihankorpi Riku. (2015). Performing (the Subject of) Exteriority : Virtuality, Mīmēsis, and the Gratuitous ‘One Must’. Teoksessa Causey Matthew, Meehan Emma, O’Dwyer Néill (toim.) The Performing Subject in the Space of Technology : Through the Virtual, Towards the Real. London and New York: Palgrave Macmillan.

Roihankorpi R. (2010). From A Darkness to A Blind Spot: Encounters between Theatre, Modern Continental Ethics of Responsibility and the Concept of Evil. Saarbrücken: LAP LAMBERT Academic Publishing.

Paavolainen, Teemu 2012 Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold. Cognitive Studies in Literature and Performance. Basingstoke: Palgrave Macmillan.