All publication  on TuniCris

Hulkko, Pauliina, Laakkonen, Riku (2022). Actor education, object animation and care 

Hulkko, Pauliina. (2022). The Murky (Hi)Story of Early Directing Education – And What We Can Learn From It. Ed. Balevičiūtė, Ramunė, Lavaste, Saana, Suša, Anja, Þorleifsdóttir, Una. Looking for Direction – Rethinking Theatre Directing Practices and Pedagogies in the 21st CenturyTeatterikorkeakoulun julkaisusarja 74.

Paavolainen, Teemu. (2022). Performing Communism, or, What if we Took Meyerhold’s Politics Seriously? The Routledge Companion to Vsevolod Meyerhold

Huuhka, Marleena. (2021). Performing Gameplay – A study of video game performance workshops Body, Space & Technology (BST)

Huuhka, Marleena, 2020Reconfiguring Human, Nonhuman, and Posthuman in Literature and Culture. Karkulehto, S., Koistinen, A-K. & Varis, E. (eds.). London & New York: Routledgep. 218-235 (Perspectives on the Non-Human in Literature and Culture).

Paavolainen, Teemu. (2020). Doing Things With Natures : A Performative History in Four Anthropo(s)cenes. Nordic Theatre Studies 32 (1), 6-26.

Roihankorpi, Riku; Delbridge, Matthew. (2020). On Sustainability, the Live Arts, and Learning: The Hybrid Body as A Digital Asset of Theatre Training and Research. Arti dello Spettacolo / Performing Arts VI (Special Issue), 77-84.

Pekkala Laura, Roihankorpi Riku. (2018). An artistic community and a workplace : how Finnish independent theatres interact with money. Nordic Theatre Studies 30 (1), 115-143.

Paavolainen Teemu. (2018). Magnitudes of Performativity : Donald Trump in the Anthropo(s)cene. Nordic Theatre Studies 30 (2), 78–98.

Paavolainen Teemu. (2018). Poor Theatre, Rich Theatre : Layers of Exchange in Two Adaptations of Ingmar Bergman and Paavo Haavikko. Nordic Theatre Studies 30 (1), 144-164.

Paavolainen Teemu. (2018). Theatricality and Performativity : Writings on Texture from Plato’s Cave to Urban Activism. Basingstoke: Palgrave Macmillan.

Huuhka, Marleena 2018 Vagabond Mimesis – Nomadic Wanderings through Minecraftian Performance Space in SYMBOLON,  theatre studies journal of the University of Arts in Tîrgu-Mureș, Romania.

Huuhka, Marleena 2017 Ei-inhimillinen tekijyys ja esiintyjyys videopeleissä in NÄYTTÄMÖ JA TUTKIMUS 6 eds. Arlander, Annette; Gröndahl, Laura; Kinnunen, Helka-Maria & Silde, Marja. Peer reviewed. (Non-human Agency and Performership in Video Games.) 

Paavolainen, Teemu 2017. “Fabric Philosophy: The ‘Texture’ of Theatricality and Performativity.”Performance Philosophy 2 (2): 172–88. ISSN 2057-7176.

Roihankorpi Riku, Delbridge Matthew. (2017). Hamlet’s Norwegian Doll’s House: Reframing Embodied Knowledge with Virtual Architectonics of Performance. Arti dello Spettacolo / Performing Arts 3 (3), 49-58.

Paavolainen, Teemu 2016. “Textures of Thought: Theatricality, Performativity, and the Extended/Enactive Debate.” Teoksessa The Cognitive Humanities: Embodied Mind in Literature and Culture, toim. Peter Garratt, 71–92. Basingstoke: Palgrave Macmillan.

Paavolainen, Teemu 2016. “Textures of Theatricality: Three Approaches from Canonical Theatre Directors.” Tekijä – teos, esitys ja yhteiskunta. Näyttämö & tutkimus 6, toim. Annette Arlander, Laura Gröndahl ja Marja Silde, 60–85. Helsinki: Teatterintutkimuksen Seura.

Huuhka, Marleena 2015 Labyrintti – Näkökulmia peleihin ja esityksiin in ESITYSTUTKIMUS eds. Arlander, Annette; Erkkilä, Helena;Riikonen, Taina & Saarikoski, Helena. Partuuna. With Marjukka Lampo. (Labyrinth – Perspectives on Games and Performances)

Paavolainen, Teemu 2015. “Meaning in the Weaving: Mapping and Texture as Figures of Spatiality and Eventness.”Mapping Theatre: Nordic Theatre Studies 27 (2): 10–21.

Paavolainen, Teemu 2015. “Smart Homes and Living Machines: Views From Performative Architecture.” CARPA4 Proceedings: Colloquium on Artistic Research in Performing Arts, The Non-human and the Inhuman in Performing Arts, toim. Annette Arlander. Helsinki: Taideyliopiston Teatterikorkeakoulu.

Roihankorpi Riku. (2015). Performing (the Subject of) Exteriority : Virtuality, Mīmēsis, and the Gratuitous ‘One Must’. Teoksessa Causey Matthew, Meehan Emma, O’Dwyer Néill (toim.) The Performing Subject in the Space of Technology : Through the Virtual, Towards the Real. London and New York: Palgrave Macmillan.

Roihankorpi R. (2010). From A Darkness to A Blind Spot: Encounters between Theatre, Modern Continental Ethics of Responsibility and the Concept of Evil. Saarbrücken: LAP LAMBERT Academic Publishing.

Paavolainen, Teemu 2012 Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold. Cognitive Studies in Literature and Performance. Basingstoke: Palgrave Macmillan.